---
product_id: 112042642
title: "The Grapes of Wrath"
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---

# The Grapes of Wrath

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## Description

The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers. One of The Atlantic ’s Great American Novels of the Past 100 Years First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics. This Centennial edition, specially designed to commemorate one hundred years of Steinbeck, features french flaps and deckle-edged pages. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Review: No kicks on Route 66 - In this novel about Oklahoma farmers forced by the Dust Bowl and the Great Depression to seek a new life for themselves as migrant laborers in California, John Steinbeck may well have written the Great American Novel. "The Grapes of Wrath" is the story of the Joad family, but it's also the story of a people on the move, a nation in crisis, and humanity in its extremes of greed and goodness. The first quarter of the novel tells of young Tom Joad's homecoming after several years in prison for killing a man in a drunken brawl. Contact with his family has been minimal over the years, and he looks forward to seeing his parents, grandparents, and siblings again - but the house is empty, obviously abandoned, like so many others in this land where a combination of drought and poor agricultural techniques has resulted in failure and foreclosure on countless family farms. Fortunately, Tom learns from a neighbor that his family has gone over to his uncle's place, and he arrives there just in time to join them on their way to California, where they've been told there's plenty of work in the state's lush Central Valley. The second quarter of the novel is the story of the Joads' arduous journey west on Route 66, a trip distinguished by breakdowns, death, and intimations by those who have been there that California may be something less than the paradise they've been led to imagine. The final half of the novel follows the Joads after they arrive in California, only to discover that it's possible to starve even in a land of plenty as too many would-be workers are forced to compete for available jobs by accepting wages barely sufficient to buy enough food from one day to the next. The novel ends with one of the most stunning and affecting scenes you'll ever read, and although nothing at all is resolved, the story feels complete. The structure of the novel underscores Steinbeck's creation of the Joads as the human face of a social crisis. Long chapters that advance the plot alternate with short chapters in which the Joads are never mentioned, in which Steinbeck's richly poetic prose establish the physical and moral setting of his work: the conditions leading to the Dust Bowl, the loss of a way of life, the journey to a new beginning, and the disillusionment and growing anger of the migrants - all on a massive scale. These short, poignant chapters are as beautiful, captivating, and necessary as the story chapters, as they provide context and grant a kind of holy universality to the Joads' experiences. Steinbeck's writing is raw, earthy, and viscerally powerful. This is realism at its finest: full of small, telling details, and at times casually vulgar, not for shock value but because life itself is casually vulgar. I was about 13 the first time I read this novel, and the blunt honesty of the writing was a bit much for my somewhat sheltered mind; I remember feeling uncomfortable when an old man reached into his pants and "contentedly scratched under the testicles," as that wasn't a word I was used to seeing in print, at least outside of biology texts. I loved the background chapters but found the Joad chapters distasteful for the first hundred pages or so, when I finally allowed the vivid immediacy of Steinbeck's style to make the characters real for me. As an adult, I have no such difficulties and am able to appreciate the masterful style and rich characterizations immediately. This is a mature novel, about people too crassly human to elicit our pity, but too warmly human not to elicit our compassion. I must admit that as a native Californian, I feel a special connection with this novel. For most of my life I lived just a few blocks away from the old Route 66 (although farther west than the point where the Joads left it to go north). Several of my husband's children live in the Central Valley, around places Steinbeck mentions by name. However, Steinbeck's skill is such that even if you've never been there, you'll close this novel feeling as though you had. This is a novel every American should read - indeed, everyone interested in what it means to be human in trying times. These days more than ever we need this book, we need this reminder of the values of proud self-sufficiency and fierce decency, for it is when we stop pulling, and pulling together, that we lose our way.
Review: In this specific video clip Louis makes a farcical argument that all men love women's breasts - It quite paradoxical and embarrassing how I became known about Grapes of Wrath. I was introduced to Grapes of Wrath from a youtube clip of Louis C.K. who is stand-up comedian. In this specific video clip Louis makes a farcical argument that all men love women's breasts. Regarding the book, he says "I don't want to ruin the book for you, but you should have read the book by now. If you read the book, Grapes of Wrath, that's how it ends. With an old dying man sucking milk out of pretty young girl's boobs. And then the book is over. And you are like Geez... What happened at the end there? There is no other book in that genre -Dense historic classic that ends with weird ‘porny’ paragraph. We [men] love breasts" Then I bethought myself of reasons to read this book. First, as an immigrant American, I have duty to know and appreciate History of the Great Depression. Second, I already knew the book will end with an old dying man sucking milk out of a pretty young girl. I have to disclose that the latter was a stronger motivation for me to purchase this very book. Third, I desired to know what let up to such an ending. Fourth, is the curiosity in that how such a book of pornographic content has become an American Classic quintessential to that epoch. Whichever the motivation was – either more perverted content or curiosity – was I glad that it made me purchase the book and commit myself to read this thick book cover to cover. The story is about a family. It is people's story with whom you will smile, laugh, frown, and cry together. Each character is very special in their own ways. I felt the deepest connections with each one than any other books I had read thusly, even though I had had nothing in common with these characters. I grew up in a different country; I lived all my life in urban surroundings; I knew nothing about farming; I had never experienced hunger, poverty, or famine of any sort; I had never encountered any inhuman treatment from others. I drove cross country twice from east to west. Even then my experience was very different than that of the Joad's family. I found myself fraught with anger for the family throughout their journey to West and then their journey to happiness and stabilization (living like a normal family). The book is very straight forward. It shows from the beginning that the family won't ever reach to what they are look for, all of which are jobs, house, and food. Nothing goes right for them. The family was told on multiple times that bright expectations California are false -- an illusion created by greedy farm owners. The family presses on with hope that everything would work out. They did not lose hope when the grandpa, grandma died in a horrible way; Connie ran away; The preacher was arrested and died; multiple occasions that the truck broke down; they ran out of food to eat; they were treated inhumanly; they were underpaid; Tom was wanted again for murder; Rose of Sharon had a stillborn baby. The book shows sad political and societal background and injustice towards migrant farmers during the great depression through the Joad's family. Is the book just valuable because it contains the historic accounts of reality during the Great Depression? I do not love this book because it has the historic value to it, of which, however, I enjoyed. Nonetheless, I love this book because this book is all about hope. Through the story of the Joad family, I learned that I could hope no matter what situation in which I find myself, and I can always hope more. The ending of the book wherein the dying old man feeds on Rose of Sharon's breastmilk with her smiling is not "porny". Rather is it a “hopy”. The hope the family has been dragging on goes on and spreads onward. The book is 464 pages. Has the book been thicker and the story went on further, the family would have still had that hope which helped them to continue on. Maybe that's the same hope as the hope that the poor were able to survive with during the Great Depression in real life, and the author just wanted to capture that in his book.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #47,924 in Kindle Store ( See Top 100 in Kindle Store ) #18 in Censorship & Politics #35 in U.S. Historical Fiction #49 in Classic Literature & Fiction |

## Images

![The Grapes of Wrath - Image 1](https://m.media-amazon.com/images/I/816Fpe2VGrL.jpg)

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## Customer Reviews

### ⭐⭐⭐⭐⭐ No kicks on Route 66
*by R***S on June 23, 2012*

In this novel about Oklahoma farmers forced by the Dust Bowl and the Great Depression to seek a new life for themselves as migrant laborers in California, John Steinbeck may well have written the Great American Novel. "The Grapes of Wrath" is the story of the Joad family, but it's also the story of a people on the move, a nation in crisis, and humanity in its extremes of greed and goodness. The first quarter of the novel tells of young Tom Joad's homecoming after several years in prison for killing a man in a drunken brawl. Contact with his family has been minimal over the years, and he looks forward to seeing his parents, grandparents, and siblings again - but the house is empty, obviously abandoned, like so many others in this land where a combination of drought and poor agricultural techniques has resulted in failure and foreclosure on countless family farms. Fortunately, Tom learns from a neighbor that his family has gone over to his uncle's place, and he arrives there just in time to join them on their way to California, where they've been told there's plenty of work in the state's lush Central Valley. The second quarter of the novel is the story of the Joads' arduous journey west on Route 66, a trip distinguished by breakdowns, death, and intimations by those who have been there that California may be something less than the paradise they've been led to imagine. The final half of the novel follows the Joads after they arrive in California, only to discover that it's possible to starve even in a land of plenty as too many would-be workers are forced to compete for available jobs by accepting wages barely sufficient to buy enough food from one day to the next. The novel ends with one of the most stunning and affecting scenes you'll ever read, and although nothing at all is resolved, the story feels complete. The structure of the novel underscores Steinbeck's creation of the Joads as the human face of a social crisis. Long chapters that advance the plot alternate with short chapters in which the Joads are never mentioned, in which Steinbeck's richly poetic prose establish the physical and moral setting of his work: the conditions leading to the Dust Bowl, the loss of a way of life, the journey to a new beginning, and the disillusionment and growing anger of the migrants - all on a massive scale. These short, poignant chapters are as beautiful, captivating, and necessary as the story chapters, as they provide context and grant a kind of holy universality to the Joads' experiences. Steinbeck's writing is raw, earthy, and viscerally powerful. This is realism at its finest: full of small, telling details, and at times casually vulgar, not for shock value but because life itself is casually vulgar. I was about 13 the first time I read this novel, and the blunt honesty of the writing was a bit much for my somewhat sheltered mind; I remember feeling uncomfortable when an old man reached into his pants and "contentedly scratched under the testicles," as that wasn't a word I was used to seeing in print, at least outside of biology texts. I loved the background chapters but found the Joad chapters distasteful for the first hundred pages or so, when I finally allowed the vivid immediacy of Steinbeck's style to make the characters real for me. As an adult, I have no such difficulties and am able to appreciate the masterful style and rich characterizations immediately. This is a mature novel, about people too crassly human to elicit our pity, but too warmly human not to elicit our compassion. I must admit that as a native Californian, I feel a special connection with this novel. For most of my life I lived just a few blocks away from the old Route 66 (although farther west than the point where the Joads left it to go north). Several of my husband's children live in the Central Valley, around places Steinbeck mentions by name. However, Steinbeck's skill is such that even if you've never been there, you'll close this novel feeling as though you had. This is a novel every American should read - indeed, everyone interested in what it means to be human in trying times. These days more than ever we need this book, we need this reminder of the values of proud self-sufficiency and fierce decency, for it is when we stop pulling, and pulling together, that we lose our way.

### ⭐⭐⭐⭐⭐ In this specific video clip Louis makes a farcical argument that all men love women's breasts
*by J***Y on January 25, 2016*

It quite paradoxical and embarrassing how I became known about Grapes of Wrath. I was introduced to Grapes of Wrath from a youtube clip of Louis C.K. who is stand-up comedian. In this specific video clip Louis makes a farcical argument that all men love women's breasts. Regarding the book, he says "I don't want to ruin the book for you, but you should have read the book by now. If you read the book, Grapes of Wrath, that's how it ends. With an old dying man sucking milk out of pretty young girl's boobs. And then the book is over. And you are like Geez... What happened at the end there? There is no other book in that genre -Dense historic classic that ends with weird ‘porny’ paragraph. We [men] love breasts" Then I bethought myself of reasons to read this book. First, as an immigrant American, I have duty to know and appreciate History of the Great Depression. Second, I already knew the book will end with an old dying man sucking milk out of a pretty young girl. I have to disclose that the latter was a stronger motivation for me to purchase this very book. Third, I desired to know what let up to such an ending. Fourth, is the curiosity in that how such a book of pornographic content has become an American Classic quintessential to that epoch. Whichever the motivation was – either more perverted content or curiosity – was I glad that it made me purchase the book and commit myself to read this thick book cover to cover. The story is about a family. It is people's story with whom you will smile, laugh, frown, and cry together. Each character is very special in their own ways. I felt the deepest connections with each one than any other books I had read thusly, even though I had had nothing in common with these characters. I grew up in a different country; I lived all my life in urban surroundings; I knew nothing about farming; I had never experienced hunger, poverty, or famine of any sort; I had never encountered any inhuman treatment from others. I drove cross country twice from east to west. Even then my experience was very different than that of the Joad's family. I found myself fraught with anger for the family throughout their journey to West and then their journey to happiness and stabilization (living like a normal family). The book is very straight forward. It shows from the beginning that the family won't ever reach to what they are look for, all of which are jobs, house, and food. Nothing goes right for them. The family was told on multiple times that bright expectations California are false -- an illusion created by greedy farm owners. The family presses on with hope that everything would work out. They did not lose hope when the grandpa, grandma died in a horrible way; Connie ran away; The preacher was arrested and died; multiple occasions that the truck broke down; they ran out of food to eat; they were treated inhumanly; they were underpaid; Tom was wanted again for murder; Rose of Sharon had a stillborn baby. The book shows sad political and societal background and injustice towards migrant farmers during the great depression through the Joad's family. Is the book just valuable because it contains the historic accounts of reality during the Great Depression? I do not love this book because it has the historic value to it, of which, however, I enjoyed. Nonetheless, I love this book because this book is all about hope. Through the story of the Joad family, I learned that I could hope no matter what situation in which I find myself, and I can always hope more. The ending of the book wherein the dying old man feeds on Rose of Sharon's breastmilk with her smiling is not "porny". Rather is it a “hopy”. The hope the family has been dragging on goes on and spreads onward. The book is 464 pages. Has the book been thicker and the story went on further, the family would have still had that hope which helped them to continue on. Maybe that's the same hope as the hope that the poor were able to survive with during the Great Depression in real life, and the author just wanted to capture that in his book.

### ⭐⭐⭐⭐⭐ Macro Models, the Grapes of Wrath, and COVID-19
*by J***R on May 18, 2020*

With the COVID-19 pandemic in the background, I have been trying to think of how all the social orders have been upset and what the post pandemic world will look like. In parallel, I have been revisiting some fiction I read when I was younger. The whole thing has made me more distractible and narrowed my bandwidth, but I started Piketty’s new book the week it came out, but the problem was that it coincided with the rise of the pandemic into full blow consciousness of something that was happening here. All of the pre-pandemic economic texts will also have to be evaluated with the lens of the pandemic. And we still are in the process of whatever it might be. It looked initially that there might be a sense of solidarity that grew out of this, but it soon has devolved that the best we can do is survive in spite of all those who would want us to not survive. We have to hope that the institutions are not too degraded. It has made me more melancholy, and this is most likely not helped by my choices of fiction to get through all time at home. I started with Camus’s the Plague and have been reading the Grapes of Wrath. Camus brought to mind the need for survival, and how capricious and random that survival is. We can do what we can to limit our exposure, but the plague comes for us all. Steinbeck has in many ways felt more relevant than our Algerian friend since what the Grapes of Wrath is about first and foremost is the death of the American Dream in two different senses. In the first sense, it is about community and the sense of place you have by growing crops on your land and losing that to the banks and other forces out of your control but then it is also about the false Edens that we are presented with. California of the Joads was supposed to be a place that they would get to at the end of the road and be able to eat grapes falling at them from the left and right. But there is no garden of Eden in California or elsewhere. What the Joads find is hundreds of thousands of people just like them, wanting to do work and everyone else in the same boat. The people thus fight for scraps and sheer survival. But we also see the attitude of the California natives, themselves only a generation or two removed from their own migration. They hate the Okies. They hate the Okies because their suffering shows in stark light the immiseration that their own lifestyles depend on to be supported. There’s hate for the outsiders going way back in America. Their poverty brings us disgust and hate because we do not admit to ourselves that we are very close to having that suffering brought upon us. Steinbeck has a character say that he is able to live on fifteen dollars a day, then what is stopping the bosses from offering an Okie twelve dollars an hour? The worry about the race to the bottom is real. This does not happen in a vacuum though. We see it today not just in anti-Hispanic racism, but also the urge to open the economy quickly. It is not about the need to work, but the desire to increase the suffering of those seen as lesser. If you are poor or a minority or working class in the service industry, your humanity is discounted by overweight people in shiny late model Ford pickup trucks. This is how it always has been. If you look at macro models that have examined class, the implication is that individual militancy is destructive. In Grapes of Wrath, there is a scene where a labor contractor comes into an impromptu camping site where a lot of families are gathered on the edge of a town, colloquially called a “Hooverville”. The contractor tells the assembled mass that there is work and they should all come. One of the men stands up and asks to sigh a contract for promise of work and a set pay rate, asking for his basic rights as a man to be respected. Then the contractor goes back to the car and a deputy sheriff comes out and is prepared to arrest the man who stood up for his rights if ever so briefly. Steinbeck wrote fiction but the scene made me think of all those scenes in labor history that do not make the pages of the history books that are taught in school — from Haymarket Square to Ludlow Colorado. What is a common denominator in these situations is that agents of the state either directly took part or were neutral as the Rockefeller or Carnegie sent thugs at workers who stood up for their rights? The bias of the state towards capital was not just in the past. More recent research shows that you only get your way in the statehouse or in Washington if your preferences align with those of the rich. There may be direct influence because of need of politicians to keep their jobs thus the money spigot needs to stay turned on, or it may simply be affinity of those in power to either be of the upper classes or to want to be part of that crew sometime. We live in a democracy but are ruled by millionaires. Simultaneously to this, we have seen demonization of minorities to an ongoing propaganda campaign to make sure people do not look at structural factors but remain atomized. Success or failure in America is seen as a personal and moral judgment on the person and the rules of the game that are being played are ignored. As Warren Buffet has said, there is a class war in America, and his class is winning. What is to be done then? We see in economic models from Goodwin, Beveridge, Marx, Robinson, and Blanchard that show individual militancy either will just increase inflation like Blanchard or will decrease the average rate of employment like Goodwin. Working as an individual or a singular bargaining unit or setting up a cooperative organization does not transcend the logic of capitalism because you are still working under these rules. Ultimately if we remain in thrall of capitalism as an economic system we need to go back to the words Marx and Engels wrote in 1848, “Workers of all lands unite, you have nothing to lose but your chains”. The question then comes if we can accomplish all that, so we end up with the best solution in the game theoretic outcome Mehrling outlines, why is the working class happy to allow the existence of a capitalist class? It sets the stage for a move beyond these models and into a post capitalism. The problem is in creating that worker unification. So many people of the working class have bought into the idea that the current system is the best of all possible systems, even if they are directly victimized by the system. It takes an act of political imagination to move beyond the existing ideology and into one where they can take power. In America it ranges from an allegiance to the state since the idea of America has been so successfully wedded to the existing economic structure, and combined with a distrust of all bureaucracies that the idea of a worker organization would just relocate all the bad things about the existing state. This is where I get back to my melancholy. The Okies in California were white Americans, and they were still able to be seen as an other. They were outsiders by creation, and by necessity as in crisis there was an us and a them — artificial identities that became very real. We are in the midst of our own crisis, one making the last one seem quaint. From the ashes of that one rose the Tea Party and Trumpism in America. I know what needs to be done, but I don’t know how to make it so, and that’s what frightens me, as destruction and hate seem to be much easier than solidarity and building a new world. This is especially true when the state is not neutral

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