---
product_id: 5233221
title: "Every Picture Tells A Story"
brand: "rod stewart"
price: "฿1723"
currency: THB
in_stock: false
reviews_count: 8
url: https://www.desertcart.co.th/products/5233221-every-picture-tells-a-story
store_origin: TH
region: Thailand
---

# Every Picture Tells A Story

**Brand:** rod stewart
**Price:** ฿1723
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** Every Picture Tells A Story by rod stewart
- **How much does it cost?** ฿1723 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.co.th](https://www.desertcart.co.th/products/5233221-every-picture-tells-a-story)

## Best For

- rod stewart enthusiasts

## Why This Product

- Trusted rod stewart brand quality
- Free international shipping included
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## Description

Every Picture Tells A Story

## Images

![Every Picture Tells A Story - Image 1](https://m.media-amazon.com/images/I/716HMm+IxnL.jpg)
![Every Picture Tells A Story - Image 2](https://m.media-amazon.com/images/I/81E8XxWuUEL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Perfect
*by W***L on March 24, 2025*

Excellent cd great sound. No damage perfect

### ⭐⭐⭐⭐⭐ It was a gift
*by K***H on March 6, 2025*

The older lady I bought them for was very pleased

### ⭐⭐⭐⭐⭐ Rod Stewart's Glorious Third Album.
*by J***F on October 12, 2014*

One of the greatest albums of the rock era, Every picture Tells a Story was the album that established Rod Stewart as a superstar who has had one of the longest careers in rock music. The album was the culmination of his solo work that had begun with The Rod Stewart Album on Mercury in late 1969, and continued with Gasoline Alley in the summer of 1970. With these albums Rod created his own sound, a mixture of folk, rock' n' roll, blues and soul that sounded basically acoustic even when using electric guitars, bass and organ in the mix of acoustic instruments. No one else was doing anything like this and the only somewhat similar sound would be Bob Dylan in 1965 and with The Band and perhaps Fairport Convention. The result was a raw and unpolished sound that evolved in these albums as the perfect accompaniment to Rod's equally rough and sandpapery voice.That voice; none other like it. You always know when it's him and he pretty much always sounded that way. To those who did know him before this album, he was the voice of The Faces, and before that the voice on the harder and bluesy numbers on The Jeff Beck Group's first two albums; on those two a real shouter. And if you have any of the collections that contain some early rarities you know even then, he sounded like Rod Stewart. There have been other ragged voices, but none with the effect of Rod's. How he does it is a mystery. Sinatra would read the lyrics of a song as if they were a play and act them out. Rod Stewart seems to get deep inside the lyrics somehow so they flow through him and come out with a depth and sincerity beyond a mere vocalist's intonation. It's a mystery.Everything he had done before came miraculously together in this album, the band perfectly together, the material a perfect mix of folk, rock, country and soul and the singer giving his all in every song. It became a monster of a success, reaching number one and becoming one of the year's biggest albums. From the rocking opening of the title song through the delicate breeziness of Mandolin Wind to the intense soulfulness and fully rocking Faces backup of the Temptations' hit (I Know) I'm Losing You, every song is unique and memorable. It was one of those albums whose huge success was matched by its artistry.It's no surprise that an album like this contained a single that was one of the biggest hits of the decade and even of the whole era, and it's also no surprise that the single had its own rather miraculous story. Maggie May was almost dropped from the album since it had no chorus to hook a listener, had downer lyrics and was long on top of it all. But then someone noted the album would be awfully short without it and there was no time to record new material. Tim Hardin's Reason To Believe was chosen as the single and Maggie May was thrown on the "B"-side. Then the Legend began. The "A"-side got some airplay, then a disc jockey in Cleveland played Maggie May and there was a big response and others followed suit. By Fall it was one of the biggest hits of all time.Maggie May was one of those hits, like Downtown, like Satisfaction, like Hey Jude, that transcend even the term Monster Hit and become practically a phenomenon of its own. You couldn't go anywhere in the Fall of '71 and not hear Maggie May. Everybody was playing it: AM Top 40 radio, AM Adult-Contemporary radio and FM where the announcer didn't talk through Martin Quitenton's beautiful classical guitar introduction. Every friend seemed to have the album. And it had one other special thing going for it. More than most any other big hit song, Maggie May seemed to go with, accompany and even encapsulate the season of the year when it was a hit. It was luminous. The country fiddles, acoustic guitars, organ, Rod's voice and the exuberant mandolin playing of Ray Jackson all created the perfect Autumn song, a song that went so well with sunny October days, autumn colored leaves and chilly nights that it's never been equaled in this way. The song sounded like a Harvest Festival in full swing, despite the unhappy lyrics.The album sounds as fresh today as it ever did, and probably always will because it went with a sound that was already old in its way and avoided anything that was new and hip in 1971. True, it so magnified Rod's career and presence that it led to the breakup of The Faces, but that was bound to happen anyway. His long career would have many high points but I don't think he ever topped this.

## Frequently Bought Together

- Every Picture Tells A Story
- The Very Best of Rod Stewart
- The Definitive Rod Stewart

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*Product available on Desertcart Thailand*
*Store origin: TH*
*Last updated: 2026-03-02*