ヤマハ SLG200N NW ナイロンストリング クラシカル サイレントギター ハードギグバッグ付 ナチュラル

Compré la versión NW dado que mis dedos son ligeramente más gruesos que el promedio. Fué necesario llevarla a ajustar para ampliar la distancia entre cuerdas, quedándome mejor pero no suficiente. Esto no me sucede con guitarras tradicionales. Eso no quita la buena impresión que me causó.

This guitar blows me away in that it plays beautifully and sounds great in the headphones as well as played through a PA system. The onboard tone controls and reverb effects sound great. It’s travel size which is a bonus. Just an all around great guitar for practicing quietly (not totally silent) or gigging. Far surpassed my expectations and is currently my favourite guitar in a decent lineup.

The instrument was ordered from Amazon and arrived in its soft case in a Yamaha cardboard box which was packed in an Amazon box with what appeared to be insufficient packing materials. Happily, all packaging was in good condition when it arrived, but my experience with UPS suggests that I was lucky this time. I have had the instrument for about two weeks. I purchased the slg200nw without having played any model of Yamaha silent guitar. Buying a guitar without playing it is usually a bad idea, but I couldn't find an slg200nw in my area to play and I can imagine that there are some readers of this review who find themselves in the same position. I did do some research on line and viewed a number of videos featuring the instrument before I made my purchase. You can see by the rating I gave it that it pleased me a great deal, so I'll outline the concerns I had before I received it and how the guitar resolved them. MY CONCERNS BEFORE BUYING, AND HOW THE SLG200NW RESOLVED THEM INTONATION AND SETUP I was concerned that the intonation might be unsatisfactory even though I heard that these guitars have a reputation for accurate intonation. The intonation on the guitar I received is five star. The slg200nw arrived set up with 12th fret string heights of 3.75mm for the sixth and 3.25 for the first (as measured by a Baroque string action ruler), very close to the setup on my other classical guitars. There is an adjustable truss rod should you prefer a different setup. The strings that came on the slg200nw were exceptionally low tension, which you may or may not prefer. BUILD QUALITY I was concerned that the build quality, fit and finish of the guitar would disappoint me. It certainly didn't. I had a big smile on my face after a few moments examining it. NECK I was concerned that the neck of the guitar, which was presented by Yamaha as thinner than conventional classical guitars, might be sufficiently different from my other classical guitars to present a significantly different playing experience. It was not and did not. In fact, I'm finding no important subjective difference. CONFIGURATION, BALANCE, WEIGHT I was concerned that the playing position would be much less than ideal given that the body of the slg200nw is shallower than that of a traditional classical guitar. I also worried that the particular weight and balance of the slg200nw would be a distraction. These concerns turned out to be non-issues, at least in my case. When played the slg200nw does not feel thin like a Fender Strat feels thin. Putting one of my other classical guitars next to the slg200nw on a bed with the heads hung over the side and flattening the bodies of the guitars against the bed, the height of the strings above the bed (where the strings are touched by the right hand of a right handed player) was about four and one half inches for the conventional classical guitar and two and three quarters inches for the slg200nw. The only issue this one and three quarters inches of depth has presented is that I find myself wondering whether or not the slg200nw isn't actually more comfortable to play than my other classical guitars. SOUND I was concerned that I would be disappointed with the sound of the guitar. First let me say that this is an electric instrument and it isn't going to sound like a Ramirez 1A. But the way it sounds is very much dependent on what you use to listen to it, and if you use high quality audio equipment it sounds very good indeed. It also comes with the added bonus of interesting variability controlled by the player. I am using Audio-Technica ATH M50 earphones with satisfying results, and I suspect that the way players respond to this guitar has everything to do with the quality of the audio equipment they use with it. If you have the opportunity to play an slg200nw make certain to bring a good set of earphones or borrow a set for the occasion. There is no other way you will be able to hear what the slg200nw can sound like. LOGO I must say that I'm not a fan of logos on the headstocks of classical guitars, and I initially solved the problem by covering the logo with my favorite tuner until discovering that the tuner built in to the slg200nw was more accurate. As happy as I am with the instrument and the price I paid for it I should be more tolerant of the logo. TUNERS The tuners on the slg200nw are excellent. Part of my impression of the tuners may have to do with the low-tension strings that came with the instrument, but the tuners certainly feel smooth. SOME SUBJECTIVE IMPRESSIONS I find it interesting that I'm paying more attention to dynamics now that I can play at a volume that won't disturb others. And there is something about the sustain, or perhaps the earphone isolation, that has me paying more attention to note values. Both of these at least potentially lead to more accurate and expressive playing. If you are unable to find an slg200nw to play be sure to do some research and check out the videos that are available. If you buy one I hope you'll be as satisfied with it as I have been.

Llevo dos semanas y ya se me rompieron dos cuerdas, me sorprendió mucho

I bought this for silent practice and for ease of travel. It does a pretty good job for both of these. I bought the nylon wide version because I am a classical player. I still haven't figured out what I'm going to do for a support. I don't want to use a footrest, and it doesn't work with this guitar anyway, because of the cutaway/horn. I'm gonna have to modify it in some way. I'm also gonna have to modify the upper "body" because it is hugely uncomfortable for a classical player. Seems like it was designed to be used with a strap or in Jazz/Folk playing position. When you hold it in Classical position, the upper "body" has these sharp edges that cut into your chest and your right forearm. It's really unacceptable, but there are enough other positives that I'm going to figure out how to solve these problems -- hopefully in a not too ugly way. Don't really want to wrap the upper curved surface with foam rubber, but that would probably solve the problem. It's too bad Yamaha didn't get some classical players to give them some feedback on this guitar when they were designing it, because these are obvious serious design problems that could easily have been avoided. Oh well, I'll keep it because it's really nice looking, sounds pretty good, and is basically useful. Update 10/9/23: I bought a "Neck Up Mini" guitar support and it works well. Very comfortable and holds the neck at about 45 degrees. I also finally decided to bite the bullet and modify the upper frame to cut off the "bump". Fortunately we happen to have a nice 14" bandsaw, so it was easyand now the guitar is much more comfortable to play. Also bought some foam rubber padding on Amazon to serve as an armrest. It's U-shaped and about 1.5" wide and just slides right onto the upper frame where your forearm rests. What an improvement.