オーディオテクニカ AT4040 コンデンサーマイク XLR 1インチ大口径ダイアフラム ブラック

２０２０からの買い替えなのですが、明らかに綺麗な音で録音できてます。 上のマイク目指すならかなりお勧めだと思います。

AT2020が故障したことで買い替えましたが、本当に音を拾いすぎる！ ノイズなどは全くなく、音質もほどほどに良いのですが、音を拾いすぎるので、配信や撮影に使用するには少し不向きな気がします。 ただそこがメリットでもあるかと思うので、自分はそれをメリットとして受け取れています。

めちゃくちゃ音質いいです。しかし音質が良いがゆえに環境音を拾いまくるので 防音室ない人は素直にダイナミックマイク買いましょう。

少し値段は高めですが、その分音質はしっかりしていて、むしろ自分には少し良すぎるくらいに感じました。 ただ、湿気に弱いのもあって保管や管理には少し気を使います。そのあたりは正直ちょっと面倒に感じることもありますが、それを踏まえても買ってよかったと思えるレベルです。 あと、拾える音の範囲が広いのか、ちょっとした物音でもしっかり拾ってしまう印象があります。環境によってはそこは気になる人もいるかもしれません。

最高の製品の一つ

フラットな特性で素材として大変使いやすい音質です。 広いダイナミックレンジで感度と繊細さも兼ね備えており用途や表現を問わず活躍してくれるマイクです。 購入して3年目ですが不具合もなく多くの人にお勧めできる商品です。

自宅用で使ってますが、これにしてノイズが格段と減りました。ケース、カバー付属です。

各フィルタ、音質共に素晴らしいです。 …ところで、コンデンサマイクには向きがあるんですね。知ってました？

o melhor microfone nessa faixa de preço, e ainda bate alguns mais caros, simplesmente excelente

It's what I expected for the price and range. It might be a little better than the idea you'd get from the way other techies speak of it. Great for melodeons, which is why I bought it.

LO super recomeindo , es un excelente microfono para los Estudios de grabacion sobretodo para la voz, pero sobresale que tiene gran rango de saturacion , puedes grabar bajos electricos y hasta percusion , congas y etc... es un Gran microfono ya tengo un año con el...

So the quality is freaking rigid also the weight defines it's durability and the material you'll feel into your hand although it doesn't come with any cables but the sock mount it includes it's upto the mark, no looseness, nothing bad.. I've got this at 25Kinr and I made the righ choice it hold it's value in this prices segment. Under this prices you cannot get this neutral response and noice reduction. It's totally worth to buy if you're looking for a neutral microphone, it's a workhorse.

As a hobby, I record my solo piano arrangements and improvisations of songs from the American jazz and swing era. I'm now recording my 15th album, this time a two-CD set of songs by Harry Warren. Earlier albums focused on songs by Irving Berlin, Ellington, Burton Lane, Jimmy McHugh, James Van Heusen, Harold Arlen, and so on. For years, I used a pair of Audio-Technica AT2035 Cardioid Condenser Microphones, feeding an Avid box and Pro Tools. The AT2035s were pretty good, though prone to distortion in loud passages. I must confess that I did not take very good care of them, and over time the diaphragms were too dusty to clean without damaging them, which I believe affected the sound. Before starting my current album, I knew it was time to upgrade mics. As you know, condenser mics can be really expensive, and figuring out which ones are worth it is a subjective affair. So, I decided that going with another pair of Audio-Technicas would be a safe and affordable strategy - as long as I moved up to a better model of AT. After reading many reviews, I settled on the Audio-Technica AT4040. Using my new pair of AT4040s, I have now recorded all 17 of the songs from CD #1 of my next album, plus finished the editing and mastering. I can now say that I am very pleased with the much-improved sound I get from the AT4040s. Note that I use a "close-mic" configuration, where the mics are under the piano. (See my photo.) I own and play a 7-foot Yamaha C6 has a very bright sound with a far more complex overtone structure than a Steinway; it's more like a Boesendorfer. This makes the C6 a great instrument for jazz and other pop music, but a challenge to record from above the strings or at a distance (as in a hall). The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it's louder than distance mic'ing. Likewise, the AT4040s are not overwhelmed by the extremely complex high frequency structures that result from playing jazz harmonies on a bright piano like the C6. For example, unlike most other jazz pianists, I have a strong and nimble left hand (due to classical training), which I apply to much walking bass and stride playing. My old AT2035s were easily overwhelmed by the booming bass of my 7-foot C6, and they didn't accurately capture this aspect of my playing. My new AT4040s, on the other hand (pun intended), are down-right ravenous with bass frequencies in a close-mic situation, like mine. I'm guessing this is due to the AT4040's large diaphram and transformerless circuits. In closing, I'd say that the AT4040s are not overwhelmed in any frequency range that a complex and bright grand piano like mine can produce. One positive outcome, is that I can record with a higher gain, which amounts to a stronger recording - free of distortion despite being louder - which sounds better on a wide range of playback devices, from acoustic stereos to ear buds on a smartphone. In addition, the AT4040 comes with an excellent shock mount and a cover that fits even when the mic is in the shock mount. Finally, I record and edit with headphones on, which can reveal noise; I find the AT4040 to be very strong but quiet. My only regret is that I didn't upgrade to the AT4040s earlier. Cheers!