Triton Audio FetHead Filter, A Phantom Power Preamp with High Pass Filter for Clear and Balanced Sound, Ideal for Ribbon and Dynamic Microphones

I have heard great things about this product the only issue I have is the item I purchased was not present, but it did contain the instruction manual, mistakes do happen, my product is showing as undelivered yet so hopefully this will be resolved. This product adds gain to a dynamic mic before the signal reaches the audio interface.

Obtienes 25db de volumen limpio, súper recomendable para el Electrovoice Re 20 y el SMB7 (la primer versión)

Col Rødecaster pro 2 ha un fastidiosissimo fruscio

Produto entrega alto ganho sonoro (db) e sem ruído perceptível. O produto é muito pratico de si usar, já que dispensa cabo XLR adicional (necessário apenas 1 cabo XLR). Estou utilizando com um PodMic da Rode + cabo XLR + U-Phoria UM2.

Used to boost the gain on my EV RE20, a big dynamic microphone with a -60db bias. My Focusrite Scarlett provided 56db gain or so, not quite enough. The Fethead is commonly used to provide additional preamplification required to make these mics usable with Scarletts; I see no reason it wouldn’t work with other USB amps, or anywhere else a constant ~20db gain would be welcome. The unit plugs in in-line via an XLR female input and male output, and is powered off 48v phantom power. It doesn’t pass the input signal without power, which is a feature for me—a kind of poor person’s mute. It works most anywhere in the signal chain; I have it plugged into two patch cables running to the mic and the Scarlett, but it works equally well plugged in at the input or output end. Do what’s most convenient physically, considering that it will add about 3” to the connector assembly wherever it’s inserted. All in all, this is a well-manufactured product with a durable design. It’s ideal for adding gain to a big dynamic mic like an RE20 or an SM7, but it will work wherever you need a constant gain boost and have phantom power and XLR connectivity.