CINE CineStill Film 800135 800 Tungsten High Speed (ISO 800) Color Film, 36 Exposures 135 DX Coded, White

800iso tungsten balanced film that gives a funky blue "blade runner" look if shot in daylight. I really like the look you can get with this film. Make sure you don't underexpose it, slightly over gives the best results.

Excellent quality film delivered quickly

Stepson is delighted with it, but hasn’t used it yet.

Amazing film stock love the halations just a little expensive

had this film before its a credit to cinestill had great photos out of them in the past would recommend

Great thanks

This stuff is amazing, in the past, if I wanted to do handheld photography at night I either had to use Black and white film or use daylight fast colour film, which was very grainy and the colour balance was wrong and correcting it made it look even worse. There's not much R&D that goes into film these days except in the world of Cinema where Kodak is still trying to improve its emulsions and while Vision3 goes all the way back to 2007 it's a significant improvement over older films which most still films are based on combined with being the correct colour balance for night time photography means I can now do colour photos at night on film.

For those of you who haven't heard of this company yet, CineStill is bringing to photographers the opportunity to shot with motion picture film that was used in cinema industry. Basically they've modified the film's emulsion so it can be developed in C-41. The main advantage is to give the famous movie look to your photography and also shoot in low light as this film is rated at 800 ISO and can be pushed up to to stops. I was really excited when I received my first roll of CineStill 800 few weeks ago but didn't have the opportunity to shoot it until recently. On my way to an abandoned asylum, I loaded the film with the idea of shooting some indoors. I was really enthusiast by the idea of exploring this place but I had a double disappointment when I got there : 1. After a quick walk around the buildings I realised that everything was closed and it was impossible to access the insides. 2. My camera was already loaded with the roll of CineStill so there was no way for me to change film. That's why I ended up shooting it in day light even if that's not what it's meant to be. it's very saturated in the blues and reds but the colour cast changes a lot from one frame to another. After some research I found out that if used in day light, you should use a 85B Filter and shoot it at 500 ISO for better results. I also decided to convert the two last pictures in black and white because there was a ugly green colour cast on both of them. They turned out pretty well in my opinion even if that's not what this film is made for. Even if the outdoors of this asylum were really inspiring, I was wise enough (for once!) to save few frames and shot them at night. I love the ambiance when shot by night and how the colours are combined with each others. The highlights are well maintained while we still have a bit of details in the shadows. This film is perfect if you want to give an Holywood style to your images